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Sexy Photos. Hairy Pussy. Let There Be Porn. In an interview prior to the January 19, performance in Orlando, Florida, Marilyn Manson revealed that John 5 would make a guest appearance during the show, stating: "I'll have [John] come on stage and play songs with us this first show.

It would practically be the Holy Wood lineup. Before leaving the band nothing was heard of Madonna Wayne Gacy for over a year. In an exclusive conference conducted by Marilyn Manson in Aprilhe revealed the upcoming album Eat Me, Drink Me was recorded in collaboration between himself and Tim Skold. Essentially this meant Gacy did not partake in the album, but not ruling out the possibility of him performing as live keyboardist on the upcoming tour.

Later, Manson revealed that Chris Vrenna who previously drummed for the band during Ginger Fish's hiatus in would be performing as live keyboardist on the tour, in Gacy's place. Gacy claimed Manson has been using the band's money for personal interests, among which are his collection of Nazi paraphernalia, his drug addictions, his wedding with Dita Von Teese and the production of Phantasmagoria: The Visions of Lewis Carroll.

On December 20,Manson countersued Gacy. As a reaction to the lawsuit Gacy filed against Manson in August, Manson claims, "keyboardist Stephen Bier did not carry out obligations to take part in master recordings [of Eat Me, Drink Me], concerts [of the Rape of the World tour] and the selling of band merchandise," according to this report which states that Manson is seeking unspecified general and special damages.

Even though he is known mostly for his music, which some refer to as crude and grotesque, Manson is a very intelligent and insightful man. In interviews he is always well spoken and is calm to the people who challenge him. Most people see his music as delivering the wrong message, but Manson states that his message was to be creative.

Manson invited Baines to the studio on August 27,where he let Baines perform backing vocals for the then-upcoming album, The Golden Age of Grotesque. I just want to simply say, 'thank you' to Andrew for sharing such an important wish with me," Manson said, according MarilynManson.

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Manson afforded Project Nightlight a stand at the opening of his art gallery, and in April gave the charity a print of his painting Eve of Destruction and a framed collector's edition mask. Marilyn Manson was first arrested in Florida on December 27, after a concert at Jacksonville's Club 5 for "violating the adult entertainment code. Bizarrely police believed Manson had performed oral sex on stage with a man when in fact it was Jack Off Jill vocalist Jessicka wearing a fake penis and thrown either his or the man's penis into the crowd.

On February 5, in Marino, Italy Manson suffered what is to date his only other post-concert arrest when he was accused of blasphemy having worn the outfit of a cardinal on stage during the song "Valentine's Day". Soon after the detention it was ascertained that Manson had not committed a crime and it appeared the legal troubles were over until the next day when Manson was arrested in Bologne on charges of public indecency relating to a show where it was alleged Manson had exposed his penis.

Manson was released and the charges dropped, notably the arrests came a week after two teenagers brutally murdered an Italian nun which some less reputable sections of the Italian press blamed on Manson's music. After two days deliberation the jury decided that Manson's alleged molestation had been part of the show and that he had not overstepped his boundaries as an artist, ruling in favor of Manson and against Diaz.

Manson was charged with "sexual misconduct" on August 16, after Joshua Keasler filed a complaint that as he was providing security for a July 30 concert Manson had allegedly spat on his head, wrapped his legs around him and began to gyrate his penis along his neck. Oakland County prosecutor David Gorcyca said that "It was offensive, crude and rude. This was not something that was orchestrated or choreographed as part of the act. The security guard was an unknowing and unwilling participant and, ironically, while he was there for protection was sexually assaulted.

In a one-day December 28, trial the presiding Judge dismissed the charge of "sexual misconduct" as Manson had in his view "gained no sexual gratification from the act. After the trial Keasler pursued a civil lawsuit against Manson that was dropped when the two settled out of court in February The case was concluded inalthough the outcome was confidential.

Marks alleged that Manson, upset at not making the cover of SPIN, the lawsuit specifically alleged Manson had yelled "I can kill you, I can kill your family, I can kill everyone you know!

John filed a wrongful death lawsuit in Los Angeles Superior Court accusing Manson of providing her adult daughter, Jennifer Syme, with cocaine and allowing her to drive while under the influence.

The case was settled out of court.

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Manson's lawyers responded in January with a page rebuttal of the claims, the case will be tried by jury in November in the Los Angeles Superior Court. As ofJosh Saviano is a licensed attorney in New York. He has, however, commented on the rumor, and thinks it is neat people believe him to be in a "goth band". interview, Manson revealed that he owns a Nintendo DS. He also mentioned that he was "pretty good at Mario Kart". He also uses a 's mortician paint kit originally used for retouching cadavers.

He even proposed to his ex-wife, Dita Von Teese, during a David Bowie concert at the time Bowie was performing "Be My Wife". which he found on the steps of Christian school, four Devon Rex cats named Aleister, Edgar, Herman, and Lily, and two dachshunds named Greta and Eva.

After the divorce of Manson and ex-wife Dita Von Teese, Von Teese won the custody of both dachshunds and Aleister.

For Manson's 39th birthday on January 5th,girlfriend Evan Rachel Wood gave him a new cat, Charlie Mansonas a birthday gift. MARILYN MANSON on MYSPACE : www. Se tivesse ficado em Portugal possivelmente teria sido «uma bebada profissional afirmou numa entrevista a Marco Livingstone, comissario da retrospectiva realizada no Museo Nacional Centro de Arte Reina Sofia, Madrid, A ida para Inglaterra foi decisiva, de outra forma nunca poderia ter faltado as aulas da Slade School of Art para ir ao cinema ou conhecido Victor Willingintelectual, pintor, marido cumplice da sua obra, cuja morte lenta inspirou novas metaforas, trevas e sombra que apreciava comentar.

Sem o menosprezo «snob das belas artes relativo a ilustracao, a sua pintura privilegia contar uma historia, o suspense, ultrapassando a obra na qual se inspira, seja ela proveniente da literatura oral ou escrita, pictorica, musical ou cinematografica. O prazer fisico de cortar e colar desenhos, modus operandi de finais dos anos 50 ate ao inicio da decada de 80 - gerando quadros abstractos e viscerais, numa clara inspiracao em Jean Dubuffet, defensor da Arte Bruta - foi assimilado a pintura a pastel das ultimas decadas.

Criadora de fabulas, Paula Rego desenvolve um trabalho previo de metteur en scene. Em Londres, o atelier e um palco secreto, no qual contracenam «fantasmas, alguns deles nascidos de esculturas que a pintora constroi.

Longe de Portugal, a patria que os inspira, submetem-se. Aqui «eles nao virao morde-la no rabo, lembra Nicholas Willing, o filho cineasta.

Como a pintura e uma forma de «magia poderosa, esses fantasmas correm somente para dentro de quem os teme. Dame Paula Rego, DBE born 26 Januaryis a Portuguese visual artist who is particularly well known for her paintings and prints based on storybooks.

Her work often reflects feminism, coloured by folk-themes from her native Portugal. Rego studied at the Slade School of Fine Art and was an exhibiting member of the London Group with David Hockney and Frank Auerbach. She was the first artist-in-residence at the National Gallery in London. Rego was born on 26 January in Lisbon, Portugal.

Although this gave her a comfortable middle-class home, the family was divided in when her father was posted to work in the United Kingdom. Accompanied by Rego's mother, they left Rego behind in Portugal in the care of her grandmother until Her grandmother was to become a significant figure in Rego's life as she learnt many of the traditional folktales that would one day make their way into her artwork from her grandmother and the family maid.

Rego's family were keen Anglophiles, and Rego was sent to the only English language school in Portugal at the time, Saint Julian's School in Carcavelos from to Although nominally a Catholic and living in a devoutly Catholic country, St Julian's School was Anglican and this combined with the hostility of Rego's father for the Catholic Church to create a distance between her and full-blooded Catholic belief.

Rego has described herself as having become a "sort of Catholic," but equally she possessed as a child a sense of Catholic guilt and a very real belief that the Devil is real. InRego was sent to the United Kingdom to attend a finishing school called The Grove School, in Sevenoaks, Kent. Unhappy here, Rego attempted in to start studies in art at the Chelsea School of Art in London, but this was thwarted by her legal guardian in Britain, David Phillips, who feared her parents might not approve of their daughter mixing with art students.

Returning to Portugal for the holidays that summer Rego discovered quite the opposite was true, and so she applied to study art in London again, this time at the Slade School of Fine Art. She attended the Slade School of Fine Art from to At the Slade Rego met her future husband, Victor Willing, who was also a student at the Slade.

In Rego and Willing left London to live in Ericeira, Portugal. Three years later Rego's father bought the couple a house in London, at Albert Street in Camden Town and Rego's time was spent divided between Britain and Portugal. In Rego's father died, and the family electrical business was taken over, unwillingly, by Rego's husband, although he had himself been diagnosed with multiple sclerosis. The company failed in during the Portuguese Revolution that overthrew the country's right-wing Estado Novo dictatorship, with the production works taken over by the revolutionary forces, even though Rego's family had been supporters of the political left.

As a result, Rego, Willing and their children moved permanently to London and spent most of their time there until Willing's death in Although Rego was commissioned by her father to produce a series of large-scale murals to decorate the works' canteen at his electrical factory in whilst she was still a student, Rego's artistic career effectively began in the early when she began showing with The London Group, a long-established artists' organization which included David Hockney and Frank Auerbach among its members.

In she was selected to take part in a group show, Six Artists, at the Institute of Contemporary Arts ICA in London. InRego was the subject of a retrospective exhibition at the Calouste Gulbenkian Foundation in Lisbon and the Serpentine Gallery in London.

This led on to Rego being invited to become the first Associate Artist at the National Gallery, London inin what was the first of a series of artist-in-residence schemes organized by the gallery. From this emerged two sets of work. The first was a series of paintings and prints on the theme of nursery rhymes, which was toured around Britain and elsewhere by the Arts Council of Great Britain and British Council from to Other exhibitions include a retrospective at Tate Liverpool inDulwich Picture Gallery inTate Britain in and Birmingham Museum and Art Gallery in A major retrospective was also held of her work at the Museo Nacional Centro de Arte Reina Sofia, Madrid inwhich travelled to the Museum of Women in the Arts, Washington, the following year.

InRego showed at Marlborough Chelsea in New York and staged a retrospective of her graphic works at the Ecole Superieure des Beaux-Arts, Nimes.

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As well as showing at Marlborough Fine Art in London inthe art critic Marco Livingstone organised a retrospective of her work at the Museum of Contemporary Art, Monterrey, Mexico, which was later shown at the Pinacoteca de Sao Paulo, Brazil. Rego's artwork can now be seen at public and private institutions around the world.

The artist has 43 works in the collection of the British Council, 10 works in the collection of the Arts Council of England, 46 works in the Tate Gallery, London, as well as many other institutions. Rego is a prolific painter and printmaker, and in earlier years was also a producer of collage work. Yet in her earliest works, such as Always at Your Excellency's Service, painted inRego was strongly influenced by Surrealism, particularly the work of Joan Miro.

This manifested itself not only in the type of imagery that appeared in these works but in the method Rego employed which was based on the Surrealist idea of automatic drawing, in which the artist attempts to disengage the conscious mind from the making process to allow the unconscious mind to direct the image making.

At times these paintings almost verged on abstraction, but as proven by Salazar Vomiting the Homeland, painted ineven when her work veered toward abstraction a strong narrative element remained in place, with Salazar being the right-wing dictator of Portugal in power at the time.

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There are two principal causes for Rego adopting a semi-abstract style in the s. The first is the simple dominance of abstraction in avant-garde artistic circles at the time, which set figurative art on the defensive.

But Rego was also reacting against her training at the Slade School, where a very strong emphasis had been placed on anatomical figure drawing. Under the encouragement of her fellow student and later husband Victor Willing, Rego kept a 'secret sketchbook', alongside her official school sketchbooks, whilst at the Slade, in which she made free-form drawings of a type that would have been frowned upon by her tutors. This apparent dislike of crisp drawing techniques in the s manifested itself not only in the style of works such as Faust and the Red Monkey series of the s, which resemble expressionistic comic book drawing but in her acknowledged influences at the time, which included Jean Dubuffet and Chaim Soutine.

A notable change of style emerged in following Rego's appointment to be the first 'Associate Artist' of the National Gallery, London, which was effectively an artist-in-residence scheme.

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Her brief was to ' work in whatever way she wished around works in the collection. The result of this was a series of works which came to characterise the popular perception of Rego's style, comprising strong clear drawing, with depictions of equally strong women in sometimes disturbing situations. Works like Crivelli's Garden have clear links to the paintings by Carlo Crivelli in the National Gallery, but other works made at the time, like Joseph's Dream and The Fitting, also draw spatially and in their subject matter from Old Master works by artists such as Diego Velazquez.

Having given up college in the late s, Rego began using pastels as a medium in the early s and continues to use this medium to this day, almost to the exclusion of oil paint. Amongst the most notable works made in pastel are those of her Dog Women series, in which women are shown sitting, squatting, scratching and generally behaving as if they are dogs. This antithesis of what is considered feminine behaviour, and many other works in which there appears to be either the threat of female violence or its actual manifestation, has associated Rego with feminism, and she has acknowledged reading Simone de Beauvoir's The Second Sex, a key feminist text, at a young age and this making a deep impression on her.

However, Rego has been known to slap down critics who read too much sexual connotation into her work. Another explanation for Rego's depiction of women as unfeminine, animalistic or brutal beings is that this reflects the physical reality of a woman as a human being in the physical world and not idealised types in the minds of men.

ANDA - An enormous hand-crafted wooden float which weighs up to 8, pounds and is carried by up to people. These scenes are changed every year, but their meaning remains the same. Some of the andas are antiques and some are new. Each church has their own own anda of varying sizes and the main characters from the andas Jesus, etc spend the rest of the year in niches in their home churches.

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Her grandmother was to become a significant figure in Rego's life as she learnt many of the traditional folktales that would one day make their way into her art work from her grandmother and the family maid. Although nominally a Catholic and living in a devoutly Catholic country, St Julian's School was Anglican and this combined with the hostility of Rego's father for the Catholic Church to create a distance between her and full blooded Catholic belief. The company failed in during the Portuguese Revolution that overthrew the country's right wing Estado Novo dictatorship, with the production works taken over by the revolutionary forces, even though Rego's family had been supporters of the political left.

As a result Rego, Willing and their children moved permanently to London and spent most of their time there until Willing's death in Although Rego was commissioned by her father to produce a series of large scale murals to decorate the works' canteen at his electrical factory in whilst she was still a student, Rego's artistic career effectively began in the early when she began showing with The London Group, a long established artists' organization which included David Hockney and Frank Auerbach among its members.

InRego showed at Marlborough Chelsea in New York, and staged a retrospective of her graphic works at the Ecole Superieure des Beaux-Arts, Nimes. The first is the simple dominance of abstraction in avant garde artistic circles at the time, which set figurative art on the defensive. Under the encouragement of her fellow student and later husband Victor Willing, Rego kept a 'secret sketchbook', alongside her official school sketchbooks, whilst at the Slade, in which she made free form drawings of a type that would have been frowned upon by her tutors.

This apparent dislike of crisp drawing techniques in the s manifested itself not only in the style of works such as Faust and the Red Monkey series of the s, which resemble expressionistic comic book drawing, but in her acknowledged influences at the time, which included Jean Dubuffet and Chaim Soutine.

Having given up college in the late s, Rego began using pastels as a medium in the early s, and continues to use this medium to this day, almost to the exclusion of oil paint. However Rego has been known to slap down critics who read too much sexual connotation into her work.

Another explanation for Rego's depiction of women as unfeminine, animalistic or brutal beings is that this reflects the physical reality of a woman as a human being in the physical world, and not idealised types in the minds of men.

Although Rego was commissioned by her father to produce a series of large scale murals to decorate the works' canteen at his electrical factory in whilst she was still a student, Rego's artistic career effectively began in early when she began showing with The London Group, a long-established artists' organization which included David Hockney and Frank Auerbach among its members.

This manifested itself not only in the type of imagery that appeared in these works but in the method Rego employed which was based on the Surrealist idea of automatic drawing, in which the artist attempts to disengage the conscious mind from the making process to allow the unconscious mind to direct the image-making.

This antithesis of what is considered feminine behaviour, and many other works in which there appears to be either the threat of female violence or its actual manifestation, has associated Rego with feminism, and she has acknowledged reading Simone de Beauvoir's The Second Sex, a key feminist text, at a young age and this made a deep impression on her. Please leave a comment if you like and definitely if you select this image as a favorite I love to read them.

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